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Ableton live suite 10 license2/23/2023 ![]() Standalone Max licenses may have features that don’t become available in Max for Live. Now, the bad news: while we’ve been promised more integration of Max and Live, they remain separate products. Max 8 is coming! When Max 8 ships, it’ll include the internal improvements found now in Max for Live, plus new Max 8 features for people making their own patches. One easy-to-miss improvement is really an important one: Max for Live support for multichannel audio mixing opens up new possibilities for multichannel setups. This also means that a sound pack that supports a particular version of Live won’t run into a compatibility problem with an out-of-sync version of Max. Since Live and Max are integrated, you can’t accidentally run the “wrong” version of Max. ![]() Max itself has been optimized, improving device load time and CPU load, plus a lot of bug fixes. It’s “built in.”īut there’s more to it than just that, which CDM has confirmed with Ableton: The big thing you’ll notice right away is that Max for Live is integrated with Live – that is, you won’t see a separate load screen. We’ve been talking to Ableton now for years about their ideas for better integrating the ideas of Cycling ’74, who make Max/MSP, and Ableton themselves, even before Ableton bought Cycling. And you should invest some time in organizing your Library to exploit that nice new browser, for sure.Ībleton Live 10 in depth: hands-on impressions, what’s new The Arrange view’s new features require some investment of time learning shortcuts and the like – and that pays off. Capture is something found in DAWs like Cubase, but oddly it’s easy to forget that you don’t have to hit record to grab ideas. There are a lot of other improvement here that may require adapting a bit. I find myself using groups a lot more – and I know of all the usability improvements people asked for that appeared in Live 10, this was the most significant. I can’t tell you why exactly subgroups make the whole use of groups more useful, but they do. There are a lot of usability improvements, but I think you could say this is the most important one. The addition of the melodic step sequencing layout (which combines real-time entry and sequencing), the ability to work on MIDI patterns on Push, and new device support continue to make Push feel essential. ![]() But it was the devices that often made me migrate over to 10 again. I was comfortable enough switching back to 9 to work on lots of projects. I had Live 9 on my MacBook and Live 10 on my Razer for quite a while. For me, though – and your experience may be different – the new devices were an easy test. Ableton is arguably a little different in that some of these designs are so specific to the software maker as to make little sense elsewhere – think Operator or Simpler. Look, lots of DAWs use pack-in instruments and effects to try to earn your loyalty and upgrades. Do these add character to the release? Absolutely. Do you need another delay and another synth? Well, maybe not. In practice, its combination of dynamics processing and “crunch” turn out to be pretty useful all over the place, especially since its simplified controls can be used in a variety of ways to dial in very different results.Įcho and Wavetable are really beautiful. Drum Buss sounds like a specific drum compressor. ![]() You’re going to use Drum Buss a whole lot. I really hope Ableton continue to develop this area – and that some day we even see the sort of hardware integration with Arrange that we do with Push and Session view. Editing multiple MIDI clips in Arrange, being able to directly manipulate audio, and navigating Arrange more quickly is really essential. Here’s what I’ve found, comparing my own personal experience with other Live users, both advanced and novice.Īrrangement view finally feels fleshed out. I’ve been using Live 10 betas since early fall. Now, in those intervening weeks, a lot of people have gotten their hands on the software. It’s also much easier on the eyes, certainly on Retina displays, but across the board. What you get with Live 10: lots of new Devices including the Wavetable synth and Echo multi-engine delay, automatic Capture of your ideas before you hit record, improved editing of MIDI and audio especially in the Arrange view, lots of additional sounds, more Push integration, and a faster, more integrated Max for Live. Live reverts to its original pricing and retains the same editions Live 9 had (Suite, Standard, Intro). If you didn’t jump on the discounted upgrade or preorder pricing, that’s done. ![]() Live 10 is now the official release version of Ableton Live. After weeks of watching Ableton’s trainers and testers have the fun, Live 10 is now the current version. ![]()
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